Principles of Photographic Improvisation – Say Yes

I’m currently reading The Soul of the Camera, the Photographer’s Place in Picture-Making by David duChemin. This book is full of nuggets of photographic wisdom, and I can highly recommend it to any photographer who wants to improve their game. You will not find much in the way of technical details about how to shoot great images. Instead, duChemin discusses the photographer’s mind and it relationship to picture-making.

There are easily dozens of blog post topics I could cover based on this book, but for now I’ll discuss his four “rules” or “principles” of photographic improvisation; the first of which is to agree or to say “yes” and not “no.” That is, say yes to the scene in front of you even if it was not what you expected or intended. You could say this is to go with the flow (which duChemin also talks about earlier in the book). Say yes to photographing what the world gives you rather than turning your back on the scene and giving up because it isn’t what you wanted. Accept what’s there and make the most of it.

Not much of the moon could be seen behind Rainier earlier this month due to clouds

A couple weeks ago, I went over to Fox Island Bridge to take a photo of Mount Rainier with the full moon rising behind it right before sunset. This situation only happens on two days each year: the day before the full moon in both June and August. Last August I tried for the same shot with only limited success. I was disappointed from that shoot, and that probably set me up to ignore the principle of saying yes. The weather was not ideal, and the view of the moon was not very good. I snapped a few shots, including the shown here, and packed up and went home disappointed. I failed to look for what else nature might be offering up. It was a few days later that I read about duChemin’s first principle.

I should have known better even before reading the book. I had a similar idea earlier this year. Back in February, I wanted to photograph the full moon setting behind the Olympic Mountains at sunrise. On the appointed day, I got up early and drove across town to Brown’s Point in Northeast Tacoma. When I got there, the Olympics, let alone the moon, were obscured by clouds. I climbed back in the car and headed toward home, thinking that perhaps I still might get some decent sunrise shots from the Cliff House parking lot. Sure enough, Mount Rainier was visible and the rising sun painted it and the low hanging clouds, as shown on the featured shot above and the other images below. I didn’t get what I wanted, but I said yes to what was given, which wasn’t bad at all.

Comments

5 responses to “Principles of Photographic Improvisation – Say Yes”

  1. […] The Soul of the Camera by David duChemin. My previous two posts covered the first three principles Saying Yes, Contribute Something, and Try Something. The fourth principle is There Are no […]

  2. […] attempts at capturing this shot in several previous posts, including this one from August 2019 and this one from earlier this year. Using the Photographers Ephemeris, I calculated what days the nearly full moon will rise behind […]

  3. Will Avatar
    Will

    Hi Joe. I stumbled across your blog recently and I was shocked to find that I managed to take a very similar photo from this very same spot recently (I hadn’t seen your image prior, so that’s my defense). It’s interesting how the different weather conditions and compositional decisions combine to make for subtly different images.

    https://500px.com/photo/1024918396/Commence-the-day-on-Commencement-Bay-by-Will-Chinda/

    Cheers,
    Will

    1. joebecker Avatar

      Hey Will, yes your image and mine do look quite similar although they were taken about 9 months apart. The sun must have been close to the same angle. And don’t worry about stealing my spot, I share most of my spots. That particular spot is well known and I’ve even published in on Photohound.

      1. Will Avatar
        Will

        Thanks Joe. Funny how things line up that way. I’ll have to check that site out.

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